By Nomad Factory
The Liquid Gate II tames the noise floor so that you hear only the audio you want to keep. This fully adjustable gate/expander allows control of Threshold, Attack Time, Hold Time, Release Time and Range. To help the gate decide when to open, you can use the two Filter controls (Side Chain). Easy-to-use modern interface with gain reduction light meter. It is offered in Mono and Stereo.
Features:
- Variable Attack, Hold and Release times
- Threshold and Range
- Internal Side Chain High and Low Pass Filters with Listen key and Bypass button
- Peak and RMS modes
- Full Automation for all parameters PC and Mac OS X
- Easy-to-use modern interface with gate reduction light-meter
*If you purchase Nomad Factory downloads during ILIO's business day, between the hours of 9 AM and 4 PM, Pacific Time, you should receive your serial number shortly after placing your order. Each purchase must go through a special validation check before we will release it. If you have purchased outside our normal business hours, or during holidays, your purchase will be verified on the next business day.
Apple Minimum Requirements:
Macintosh® Intel Core Solo® 1.5GHz with 1Gb of RAM.
Mac OS X 10.5 Leopard and Mac OS X 10.6 Snow Leopard.
Compatible Intel Macs, PPC are not supported.
Apple Compatibility:
AudioUnit - RTAS (Pro Tools) and VST plug-ins.
32-bit and 64-bit are supported.
You can authorize our software on up to 3 computers with a simple one-click authorization procedure (no dongle key required).
Windows Minimum Requirements:
Pentium® iV 2GHz / Athlon™XP 2GHz with 1Gb of RAM.
Windows 7 - XP - Vista are supported (32-bit and 64-bit).
Windows Compatibility:
VST and RTAS (Pro Tools) plug-ins.
32-bit and 64-bit are supported.
You can authorize this software on up to 3 computers with a simple one-click authorization procedure (no dongle key required).
Supported Formats: AU, VST, RTAS (32/64-bit Mac/Win)
Here is what the press has to say about Nomad Factory products.
Musicplayer.com WIHO Award
Motown Retro Bundle
"With the resurrection of the Motown sound in modern music through artists like Amy Winehouse and Raphael Saadiq we wanted to try to use these for what they are intended — put a little old-school feeling into our mixes... The sonic qualities of the plug-ins were top notch, but they especially shined in the higher frequencies. This was very apparent when working with drums. When we applied the Retrology Music-Tone to our overheads we heard a new life and brightness from cymbals that were previously flat and dull simply by running through the preset options. With a few final adjustments and the addition of the Retrology Film-Tone's overlapping frequency bands to hone in on exactly what we wanted, we had a beautiful marriage of modern recording and classic sound."
Computer Music
Magnetic
"We were particularly impressed by the way tape colour could create pumping overheads on a drum kit and popping compression on synth bass... as a tasty analogue thickening agent, Magnetic really shines."
Sounds and Gear
Echoes
"I give Echoes 5 out of 5 subs, it’s really the best echo plug-in I’ve used in my personal opinion, fun, simple to use, and sounds great."
Computer Music
Pulse-Tec EQs
"Pulse-Tec EQs can certainly add warmth to a broad range of instruments, and those famous overlapping boost/attenuate controls can really bring the bass to life. If you're finding it hard to make an instrument gel in the mix, a few small adjustments with Pulse-Tec EQs can work wonders, and the clipper section, while not vital, is handy if you crave yet more warmth, or even a little dirt. The presets aren't too shabby either."
