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Home : Products : ILIO: Skippy's Big Bad Beats Home : Liner Notes
 
Skippy's Big Bad Beats


Introduction

I LOVE GROOVE!
I have always wanted to create a drum loop library, and I am really happy I've waited until now to do it. The twinkling of an idea that would eventually become Groove Control™ was already on the table when I started making these grooves. As musicians, we have always had a love-hate relationship with drum loops. They are great for adding some extra spice to a song - but finding a loop that will fit your song can be a lot of work! It can take forever to find the right loop or even worse, you often have to use the loop at the beginning of the songwriting process so that you can write your song "around it." Well, I'm glad to announce that those days are over!

With Groove Control, the hot library you hold in your hands can be shaped into any musical context easily and quickly, regardless of tempo, feel or style. Later in this booklet, you'll find information and tips about using Groove Control.
Tapping my imagination, rather than old recordings as the basis for these grooves, I worked very hard to make them fresh, funky, unique and fun! It took over a year to create what you now have in your possession. So if you feel the urge to copy and "sell or trade" these sounds, or if you are using an unauthorized or bootlegged copy of Skippy's Big Bad Beats, do yourself a favor and don't. Not only does this take away my incentive to make more, but as a musician, I take offense when one person steals material from another. It's in your best interest to protect what you paid for, so please refuse to make copies or give this library away.

To put it simply, if you like this library and want more libraries like this, give us the signal, and more Big Bad Beats are sure to follow!

May the groove be with you - always!

John "Skippy" Lehmkuhl

Big Bad Beats - The Concept Detailed

Skippy's Big Bad Beats was designed to be a unique product when compared to other drum loop libraries. Let's take a moment to explain the thought process behind this collection of grooves so that you can understand how to get the most out of the library.

At the root level, BBB is conceived as a collection of high-fidelity stereo dance, hip hop and pop grooves. Making any of these loops "lo-fi" is as easy as running them through distortion, EQ or effects boxes, if you like. These starter grooves are then broken down and remixed into alternative versions that you can use at different places in your song for rhythmic variety. Instead of only one loop that never changes in a four minute song, with Big Bad Beats, you can arrange the different mixes at different times; use the full mixes for the intro and the small mixes for the verses; use the no-snare version just before going back into the full mix version for the chorus outs, and so on.

Instead of making 1,700 loops that have nothing in common with each other, I wanted to create a library that had variations within the same basic groove. This way, you determine what mix to use, when and where, instead of being limited to only one loop for the entire song.

After carefully selecting the 300+ loops, every last one of them was put through a process developed by ILIO and Spectrasonics, utilizing proprietary software, called Groove Control™. (Read "Groove Control Explained," below.) This process literally explodes the library into millions of possible groove mixes, tempos and attitudes. So you have the option of using the recorded grooves in the traditional way, or with the Groove Control method, or both! As we say, only your imagination limits you.

Equipment List

Over the years, I've picked up lots of gear that I use for my various groove sessions. For Big Bad Beats, I used a combination of specially-recorded live grooves and my own drum sound collection, then mixed them up with some of my favorite toys, including:

Korg Trinity
Korg Triton
Korg Z1
Roland S-760
Alesis DM Pro
Clavia Nord Lead
Waldorf Pulse
Yamaha RM-50
TC Electronics Fireworks
Lexicon MPX-1
Roland SRV-330
Roland SE-70
SansAmp Tech 21
Behringer Composer

I also used a bunch of cool Mac software like Emagic Logic Audio, Cubase VST, Rebirth, Recycle, Bias Peak, Arboretum Hyperprism and MetaSynth, tons of cool VST plugins and some super-secret proprietary software.

 

From the day they opened their doors in 1994, ILIO has been committed to producing useful, timeless and inspiring sample libraries for musicians. Tapping years of experience in sound design and electronic composition, their knowledge of the quality demands of today's music scene is the driving force behind every title they release.
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