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Nomad Factory

Nomad Factory

With over 25 years of engineering experience in analog recording studios, Nomad Factory started developing plug-ins in 2002 with the goal of recreating the warmth and musicality of vintage gear. Almost a decade later, Nomad Factory has emerged as one of the premier providers of analog emulation plug-ins and continues to push forward into new sonic territory.

Magnetic
Screenshots:
Magnetic MAIN SCREEN

Magnetic II

By Nomad Factory

AU, VST, RTAS (32/64-bit Mac/Win)
Download Only
Test Drive Nomad Factory: HERE

download *$129 Magnetic II

download *$99 Magnetic II Bundle (Magnetic II + Echoes) Special Price Until May 31, 2013!

  • DETAILS
  • SYSTEM REQUIREMENTS
  • REVIEWS

MAGNETIC II - Reel-to-Reel Audio Tape Warmer

Nomad Factory introduces MAGNETIC II, a Reel-to-Reel Audio Tape Warming effect that gives your tracks the elusive vintage tape sound that modern ears crave. This plug-in will infuse sterile audio with the warmth and character of classic tube circuitry and analog tape saturation. It features pure analog reel-to-reel tape speeds, tape/tube saturation and tape color effects, as well as a dedicated vintage style EQ and a built-in “Boost” mastering section. The result is a creamy, warm sound that can only be achieved with the tape modeling in MAGNETIC II.

Never before has such a great sounding plug-in effect been so easy to use! Fire it up and you'll see that the plug-in’s interface is modern, simple, and extremely user-friendly which instantly allows you to dial in usable sounds.

MAGNETIC II can be used in many different musical ways. Try using it on individual tracks to add subtle warmth and tape color to your drums or use it to create a filtered cassette AM-radio effect on a vocal. But that’s not all… when used on the master bus, MAGNETIC II can warm your entire mix and “boost” it up to broadcast level. It’s just like having a 30+ year old reel-to-reel tape machine at your fingertips, without all the maintenance costs.

NEW FEATURES OF MAGNETIC II:

We included 9 TAPE MODELS that give you the authentic sound of the famous vintage tape machines:

  • Otari MX-80 2-inch 24-track
  • Otari MTR-90 2-inch 24-track
  • Ampex MM1200 2-inch 24-track
  • Ampex ATR-102 half-inch two-track
  • Tascam ATR60-16 1-inch 16-track
  • Studer A80 Mk II 2-inch 24-track
  • Studer A827 2-inch 24-track
  • Studer A820 2-inch 24-track
  • MCI JH24 2-inch 24-track

Real Tape Model Mode:

To engage the new Real Tape Model mode, simply turn the Reel Speed knob between 1 and 30 and it will activate the selector buttons on the left.

Wow & Flutter Knob:

Turning the Reel Speed knob between 1 and 30 also activates the Wow & Flutter knob which gives you the irregularities in the playback speed of analog recordings

Magnetic Tape Color:

When the Reel Speed knob is set to DASH, this engages the original Magnetic Tape-Color sound. Any other Reel Speed Knob setting allows you to select between different Tape Model modes, including Magnetic.

The Story of Reel-to-Reel Tape

Every hit album made before the 1990’s was recorded on some form of Tape… The Beatles, Jimi Hendrix, Led Zeppelin, The Doors, Queen, the list goes on and on. That’s why those songs still sound so good today, because the way they were recorded.

Even today, some artists of all genres prefer analog tape's "musical", "natural" and especially "warm" sound. Due to harmonic distortion, bass can thicken up, creating the illusion of a fuller-sounding mix. In addition, the high end can be slightly compressed, which is more natural to the human ear. It is common for artists to record to digital and re-record the tracks to analog reels for this effect of "natural" sound. In addition to all of these attributes of tape, tape saturation is a unique form of distortion that many artists find very pleasing.

Before large hard disks became economical enough to make hard disk recorders viable, studio digital recording meant recording on digital tape. Mitsubishi's ProDigi and Sony's Digital Audio Stationary Head (DASH) were the primary digital reel-to-reel formats in use in recording studios from the early 1980s through the mid 1990's. With MAGNETIC II, Nomad Factory has captured the essence of DASH technology and made the sound of high-fidelity digital tape recording available in plug-in format.

Plug-In Features:

  • REEL SPEED controls the speed of the virtual tape machine. Higher speeds give you more studio-quality fidelity; lower speeds sound more like a cassette tape. The DASH setting gives you the highest-fidelity of digital audio tape predominately used in the 80’s and 90’s
  • SATURATION gives different levels of tube and/or tape saturation effects. Recreates the warmth and character of classic tube circuitry and analog tape saturation
  • TAPE COLOR provides the highly sought-after sound of Natural, Vintage and Modern Tape Compression
  • LOWS controls the amount of low frequency equalization. Select the boost/cut frequency range with the Body, Warm, and Lush Settings
  • HIGHS control the amount of high frequency equalization. Select the boost/cut frequency range with the Detail, Focus and Brilliance Settings
  • BOOST switches on/off the built-in Mastering Limiter section. This incorporates multiple stages of limiting and a look-ahead brickwall limiter to deliver first-class peak reduction. Adjust the Gain and Ceiling Knobs to achieve High-Resolution Limiting
  • GAIN sets the threshold for the incoming signal. Higher settings result in a louder sound
  • CEILING sets the brickwall output level so that it limits all peaks above the number it is set to
  • VU METER shows the amount of limiting taken place when the Boost circuit is engaged
  • REEL TAPE MODELS give you the color of the famous vintage tape machines. To engage the new Tape Model mode, simply turn the Reel Speed knob between 1 and 30 and it will activate the selector buttons on the left.
  • POWER bypasses the entire unit

Usage and Tips:

MAGNETIC II is designed to be used as an “insert” type effect and should be configured into the effects chain in series with the signal path the same way a graphic equalizer or limiter would be connected. In other words, the entire signal should pass through the plugin. Setting up MAGNETIC II as an echo send or “AUX” device like a digital reverb is not recommended, as the processed effect is not fully realized when summed with the original source audio.

*If you purchase Nomad Factory downloads during ILIO's business day, between the hours of 9 AM and 4 PM, Pacific Time, you should receive your serial number shortly after placing your order. Each purchase must go through a special validation check before we will release it. If you have purchased outside our normal business hours, or during holidays, your purchase will be verified on the next business day.

Apple Minimum Requirements:

Macintosh® Intel Core Solo® 1.5GHz with 1Gb of RAM.
Mac OS X 10.5 Leopard and Mac OS X 10.6 Snow Leopard, 10.7 and higher.
Compatible Intel Macs, PPC are not supported.

Apple Compatibility:
AudioUnit - RTAS (Pro Tools) and VST plug-ins.
32-bit and 64-bit are supported.
You can authorize our software on up to 3 computers with a simple one-click authorization procedure (no dongle key required).

Windows Minimum Requirements:

Pentium® iV 2GHz / Athlon™XP 2GHz with 1Gb of RAM.
Windows 7 - XP - Vista are supported (32-bit and 64-bit).

Windows Compatibility: VST and RTAS (Pro Tools) plug-ins.
32-bit and 64-bit are supported.
You can authorize this software on up to 3 computers with a simple one-click authorization procedure (no dongle key required).

Supported Formats: AU, VST, RTAS (32/64-bit Mac/Win)

Here is what the press has to say about Nomad Factory products.

 

Recording Magazine
MAGMA
"The MAGMA effects suite is the perfect solution for someone who has a DAW with limited or no effects, someone who likes to have everything grouped into one clean interface, or someone who’d like to have some extensive effects routing in their host. With each effect coming in at about $3 apiece, there is a lot of value to be had here." Read the full review: HERE

 

Musicplayer.com WIHO Award
Motown Retro Bundle
"With the resurrection of the Motown sound in modern music through artists like Amy Winehouse and Raphael Saadiq we wanted to try to use these for what they are intended — put a little old-school feeling into our mixes... The sonic qualities of the plug-ins were top notch, but they especially shined in the higher frequencies. This was very apparent when working with drums. When we applied the Retrology Music-Tone to our overheads we heard a new life and brightness from cymbals that were previously flat and dull simply by running through the preset options. With a few final adjustments and the addition of the Retrology Film-Tone's overlapping frequency bands to hone in on exactly what we wanted, we had a beautiful marriage of modern recording and classic sound."

 

Computer Music
Magnetic
"We were particularly impressed by the way tape colour could create pumping overheads on a drum kit and popping compression on synth bass... as a tasty analogue thickening agent, Magnetic really shines."

 

Sounds and Gear
Echoes
"I give Echoes 5 out of 5 subs, it’s really the best echo plug-in I’ve used in my personal opinion, fun, simple to use, and sounds great."

 

Computer Music
Pulse-Tec EQs
"Pulse-Tec EQs can certainly add warmth to a broad range of instruments, and those famous overlapping boost/attenuate controls can really bring the bass to life. If you're finding it hard to make an instrument gel in the mix, a few small adjustments with Pulse-Tec EQs can work wonders, and the clipper section, while not vital, is handy if you crave yet more warmth, or even a little dirt. The presets aren't too shabby either."

 

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