You have already heard that Spectrasonics' Omnisphere 2 is the most amazing new software synth release in years. Wouldn't it be great to dive into its wealth of features and really understand how to get the most out of it? ILIO is very pleased to present a fantastic new video tutorial series from Groove3, Omnisphere 2 Explained.
Eli Krantzberg hosts a new series on Spectrasonics' flagship virtual instrument, Omnisphere 2. In this comprehensive series, Eli covers every aspect of this powerful and versatile instrument, and teaches you how to use it creatively!
Starting with Omnisphere 2's vast library, Eli explores the Browser, How To Search, Filter Your Search, Load Sounds, Import Audio, and Work With Projects. From there, Eli dives into working with the Synth Engine, going deep into Layers, Oscillators, Sample Mode, Synthesis Controls, and the various Modes.
Next, Eli details the Filter and Modulation options, including techniques for animating Your Sounds and Working With Effects. Finally, Eli covers Multi-Timbral Mode, Stack Mode, Latch & Trigger Modes, Live Modes, and Optimizing System Performance.
Spectrasonics' Omnisphere 2 is one of the deepest virtual instruments available today, and whether you're just getting started or a power user looking for expert tips, this tutorial series will reveal its secrets. Just a few hours investment of time will yield years of creative and inspiring results as you learn to navigate Omnisphere 2's extensive feature set. Watch "Omnisphere 2 Explained" today!
Full Video Series Consists of the Following Titles (Download Size: 1024 MB):
Res Judicata (3m:49s)
In this series we'll take a fresh look at the entire instrument from the ground up, starting with an overview of the basic organization and architecture of the plug-in and how it generates sound.
De Novo (4m:34s)
Learn about the Header section of Omnisphere, see how to access the three different browsers, and learn how to create new sounds from existing patches by changing the sound sources used in each of the patch's two layers.
The Mini Browser(4m:22s)
See how this new Omnisphere 2.0 feature is used for either attribute or sound match based browsing.
Searching in the Full Browser (7m:39s)
Discover how to use and customize the category, attribute and search fields to search for patches and sound sources by key words and metadata. See how Sound Lock is useful when searching and loading patches as well as sound sources.
Boolean Filtering (5m:14s)
Discover how the boolean operators "And", "Or", and "Not" are used in conjunction with the search field and attribute columns to generate search results that include or exclude patches with multiple attribute specific tags.
Loading Sounds (6m:35s)
Learn how to sort patches and sound sources, how to use ratings to sort by favourites, how to use the browser settings to audition samples on loading and how to synchronize attributes when changing parts. Also see how to reduce or thin the number of samples loaded using either scale, velocity, or range criteria; or using pitch thinning based on the notes you need for your current arrangement.
Match & Lock Browsing (6m:33s)
Explore two of Omnisphere 2.0's new intelligent browsing features. Sound match returns a set of sounds based on similar metadata, and sound lock preserves various aspects of a source sound and applies them to a destination patch.
Importing User Audio (3m:30s)
Discover how to bring your own audio into the SoundSource browser and process it with some of Omnisphere 2.0's powerful synthesis features.
Saving & Managing Sounds (4m:21s)
Learn about initializing versus clearing patches multis and layers, how and where to save and delete customized sounds, and how to use the "Save Patch Quick" function to update custom patches.
Editing Tags (5m:41s)
Learn how to customize the attribute and assignment metadata associated with patches so that they can be searched and sorted more effectively in Omnisphere's patch browser.
Working With Projects (5m:26s)
Explore the use of Projects as a way or bookmarking, collecting, and organizing sounds into user defined groupings that are meaningful to your own personal workflow. Projects can include multis, patches, and sound sources. It is another tool for organizing Omnisphere's library to suit your needs.
The Main Page Pt. 1 (6m:55s)
See how this page is used as a kind of "dashboard", to access all the important performance controls necessary to tweak the sound of a patch easily.
The Main Page Pt. 2 (5m:06s)
Hear how the Solo, Glide, and legato modes work, how the alternate sustain pedal modes are used, and how the Main Page filter controls sound.
Working with Layers (5m:50s)
Explore the layer pages and see how parameter adjustments can be made either uniquely for each layer or linked together, which parameters remain independent for the two layers, and how the amp, transposition, coarse tuning, fine tuning, and tracking parameters work.
Oscillators Overview (2m:32s)
Oscillators are the basic DNA of Omnisphere's patches. Learn how to switch between using Soundsources and DSP generated wavetables, and how access the various oscillator functions that are available.
Sample Mode Controls (3m:34s)
Discover how timbre shifting and timbre crushing are used to vary the harmonic quality of the sound sources by shifting, transposing, filtering, and bit crushing the samples; and how the start slider and reverse button influence playback of the mapped samples.
The Soundsource Zoom (4m:54s)
See how to work with Trilian based sound sources within Omnisphere 2.0, including using sublayers, special articulations, and sample thinning.
Basic Synthesis Controls Pt. 1 (5m:24s)
Discover who the shape, symmetry, and hard sync sliders are used to create timbral changes to DSP generated wavetables.
Basic Synthesis Controls Pt. 2 (3m:58s)
Hear how the analog and phase controls are used to detune and change the phase relationship between the two oscillators in Layer A and Layer B.
FM Synthesis (8m:34s)
Explore how the timbral characteristics of the layer's oscillator (carrier) is changed by modulating the frequency of another waveform (Modulator) and how the FM synthesis controls are used to alter the result of this frequency modulation.
Ring Modulation Synthesis (4m:7s)
Similar to FM synthesis, but the overall amplitude is modulated by multiplying the frequencies of the layer's main oscillator with the modulator oscillator. Hear how it is used to create a nasty synth bass sound by adding some aggressive bite to one of Omnisphere's wavetables.
Waveshaper Synthesis (4m:08s)
Hear how this section is used to degrade the layer's oscillator by reducing the bit depth, adding wave shaping, and reducing the sample rate.
Harmonia Mode (0:5m)
Explore the amp and synth parameters available in this mode. They are used to control up to four automatically generated oscillators per layer which are used to create harmonies with the layer's main oscillator.
Granular Synthesis (7m:48s)
Discover how this engine is used to break apart audio into fragments called grains, and how it is used to create long evolving sonic textures.
Working With Modulation (6m:37s)
Modulation adds motion to a sound by having g a modulation source affect the value of a target parameter in some way. See who modulation routings are set up and managed in Omnisphere 2.0.
Using the Filter Section (5m:31s)
Explore Omnisphere's powerful filter controls, including cutoff, resonance, filter tracking, and the variant slider which moves the cutoff frequency in opposite directions on the left and right channels of a stereo sound.
The Filter Envelope (5m:02s)
Hear how the filter envelope is used as a modulation source that modulates the characteristics of the filter's cutoff frequency over time, and how the filter envelope depth knob is used to se the amount the filter envelope influences the filter section.
Working in Dual Filter Mode (6m:11s)
Explore Omnisphere's Filter Zoom section, and see how to setup, route, and offset two separate filter algorithms together on a single layer in a patch.
Working With LFOs (7m:56s)
Explore how these waveform shapes are used as sources for cyclical modulation effects. Learn how to sync them to tempo, use the various trigger modes, change shapes, start them at different points in their cycle, delay their onset, and more.
ADSR Envelopes (5m:41s)
Envelopes are the contours that shape the sound coming from the oscillators and the filters. Learn how to navigate the Envelope section of the Omnisphere interface and how to adjust the four different stages that occur over the duration of a note.
Multi Stage Envelopes Pt. 1 (6m:43s)
Explore the Envelope zoom and see how to work with and create multiple stage modulation envelopes.
Multi Stage Envelopes Pt. 2 (5m:17s)
Discover how the chaos controls are used to randomize envelope curves and levels, and how the speed, depth, looping, sync, and trigger controls are used to control the playback of the envelopes.
Morphing Modulation (3m:34s)
See how two sources are used to modulate a single target, and how a third component is used to interactively crossfade between the outputs of the two modulation sources.
The Arpeggiator (8m:59s)
Learn how the arpeggiator is used to take an incoming chord and output a sequenced pattern of notes based on a defined set of rules and parameters.
The Orb (7m:29s)
Explore this sound manipulation tool and see how its intuitive performance interface is used to introduce and record variations to a patches sound.
Working With FX (4m:27s)
Learn how to work with Omnisphere's part based and multi based FX units and FX racks.
Working in Multi Timbral Mode (5m:52s)
Explore two different ways of working in multi mode; one where all the processing is done within the plug-in itself, and the other where the individual parts are sent to discreet aux tracks in the host DAW.
Host Automation & MIDI Learn (7m:02s)
Learn how to use and manage host automation and MIDI Learn to animate parameters either on a per part basis or when working in multi mode.
Stack Mode Pt. 1 (5m:16s)
See how this mode is used to create splits, layers, and crossfades between the various parts set up in the multi.
Stack Mode Pt. 2 (3m:21s)
See how velocity and MIDI continuous controller messages are used as the basis for triggering the patches loaded into the various parts of a multi.
Latch & Trigger Modes (3m:56s)
See how latch mode is used to have notes function as toggles to stop and start patterns, and how trigger mode is used to quantize incoming MIDI notes in real time.
Live Mode (6m:35s)
Discover how this mode is used to switch between or layer patches in real time using either the mouse, on screen controls, MIDI notes, CC messages, or program change messages.
System Performance (6m:01s)
See how the System page is used to optimize streaming and other interface and performance options.