Studio Crumhorns

The crumhorn’s name is derived from the German “Krummhorn”, which means “bent horn”. The lower part of the instrument is bent upwards, the cylindrical shaped pipe has seven finger holes on the front and one on the back. Unlike recorders crumhorns have a double-reed mouthpiece like the bassoon; it produces the typically bright and “nasal” timbre that music of the Renaissance period is often associated with. As a typical woodwind instrument of the Renaissance period the crumhorn disappeared later in the Baroque era but was rediscovered in the 20th century in Folk, Medieval and contemporary music. As an example, composer Mauricio Kagel (1931–2008) used four crumhorns in his “Music for Renaissance Instruments” (in memoriam Claudio Monteverdi). Crumhorns are available in various sizes, as the instrument’s range covers just one octave. This Historic Winds Pack contains recordings of five different crumhorns, covering the soprano, alto, tenor, bass, and double bass register.

The Synchron Player’s integrated convolution reverb adds the outstanding ambience of the 540 m² (5,813 sq.ft.) main hall of Synchron Stage Vienna to the dry samples in real-time. Expertly crafted mixer presets place the instrument at its perfect spot on stage, resulting in a production-ready sound “out of the box” that blends seamlessly with the instruments of Studio Woodwinds as well as with every other product in the Synchron Series.