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Applied Acoustics Systems

Applied Acoustics Systems

Applied Acoustics Systems was founded in 1998 and is based in Montreal, Canada. They are the creators of the innovative Tassman and Lounge Lizard virtual instruments. Both instruments have been given high acclaim from many professional artists and some of Hollywood's A-List composers.

Sounds from BLKRTZ

Sounds from BLKRTZ

By AAS

Sound Bank for Ultra Analog
Also includes the free AAS Player (for use without Ultra Analog)

download $39.00 Sounds from BLKRTZ

  • DETAILS
  • SYSTEM REQUIREMENTS
  • DEMOS
  • FAQ

Inspired by his work in a wide array of genres over the last 12 years, Deadbeat's Sounds from BLKRTZ is a collection of 100 presets for Ultra Analog VA-1 which truly push the instrument to its earth shaking low and shimmering high extremes. It will come as no surprise to those familiar to his unmistakable dubwise style that subs and bass play a central role here, but you'll also find an inspiring array of evolving chords and stabs, ambient clouds, and slowly evolving sequences.

“When I set to work on the bank I really wanted to showcase some of the ways I use the synth on a day to day basis. It's been one of my go-to tools for bass lines for years but it's also a fantastic choice as a vocoder carrier signal, vintage sounding pads, and properly tweaked out acid lines and effects. It's a very deep instrument and I hope that this collection inspires people to explore it further in their own work.” —Deadbeat

For those looking for inspiration in the realm of dubstep, ambient, or the deepest and dubbiest of house and techno, Sounds from BLKRTZ is certain provide hours of creative inspiration for your productions.

Who is Deadbeat?

Deadbeat is one Scott Monteith, a Canadian musician living in Berlin who has been releasing his own special blend dub influenced electronic music since 1999, for labels such as Scape, Wagon Repair, and his own newly founded BLKRTZ imprint from which this collection takes its name. His work has been met with consistent critical acclaim from the industry's leading publications and websites, and drawn regular performance invitations from the world's most respected clubs and festivals. Whether charting new courses in impossibly heavy dub reggae, snap clap digital dancehall, or thundering late night house and techno, his unique blend of advanced sound design and hypnotic grooves have earned him legions of fans the world over.

The 100 presets of Sounds from BLKRTZ

Bass and Subs
  • Acid Pig
  • Black Metal
  • Bow Wow
  • Brostep
  • Buzz Saw
  • Chain Saw
  • Driven Sines
  • Dropping Razor
  • Drunken Mumbler
  • Elephantitus
  • Flanged Subs
  • High Low
  • Laser Lash
  • Metal Beast
  • Mod Ripper
  • Paint Stripper
  • Poppers
  • Punchy Sub
  • Sand Blaster
  • Sat Nav
  • Sleng Square
  • Soft Earth Shaker
  • Soft Rez Sweep
  • Sub and Static
  • Sub Slapback
  • Sub Snarl
  • Tectonic Shake
  • Unison Squares
  • Water Wobble
  • Wonk Wonk
Chords and Stabs
  • Analog Soft
  • Brassy Sequence
  • Clean Driver
  • Dark Wave
  • Detroit Classic
  • Drain Pipe
  • Driven Bubblers
  • Driven Pipes
  • Far East Radio
  • Fat Noise
  • Future Organ
  • HAM Radio Defect
  • High Metal Bells
  • Hopeful Phase
  • Ice Scraper
  • Noisey Notch
  • Power Steam
  • Punchy Analog
  • Scatter Shot
  • Short Circuit
  • Sizzle and Stab
  • Soft and Shakey
  • Soft Moving Dub
  • Soft Skank
  • Stereo Dub Saw
  • Tough Little Saws
  • Warm and Low
  • Weedy Transistor
  • Wide Wave
  • Wind Tunnel
Drones and Carriers
  • Broken Leslie
  • Ebow Swells
  • Falling In
  • Flange Blaster
  • Heavy Saw
  • Metal Tides
  • Noisey Squares
  • Siren Bomb
  • Static Charge
  • Stereo Rage
Seqs and Acid
  • Clack and Crack
  • Clipped 101
  • Crazy Maker
  • Dive Bomber
  • Drippy Acid
  • Ghost Notes
  • K Hole
  • Kinda Tuned
  • Kooky Scientist
  • Low Soul
  • Mean and Clean
  • Mellow Poppers
  • Midnight Chorus
  • Noise and Pops
  • Pop and Slide
  • Rolled Corners
  • Simple Organ
  • Sines of an Issue
  • Small Stone Acid
  • Soft Plucks
  • Sonar Pings
  • Squash and Peas
  • Steam Power
  • Tanked
  • The Nine
  • Things Fall Apart
  • Toothy Saw
  • Wide and Raw
  • Wiggle and Hats
  • Woody

Ultra Analog or the AAS Player (included) are required

MAC minimum system requirements

  • Mac OS X 10.5 or later
  • Intel Core processor or later
  • 512 MB of RAM
  • 70 MB of free hard drive space
  • 1024 x 768 screen resolution
  • Built-in audio interface
  • Mac OS X-compatible MIDI interface/keyboard

Mac compatibility

  • AU, VST, RTAS, and AAX Native
  • Audio Unit plug-in hosts (see restrictions below)
  • Mac OS X-compatible audio interface

Mac Audio Unit (32-bit/64-bit) compatibilty

  • Apple Garageband 1.1 or later
  • Apple Logic 7.1 or later
  • Ableton Live 8 or later
  • Audiofile Engineering Rax
  • MOTU Digital Performer 6 or later
  • Cockos Reaper 3.1 or later

Mac non-compatibilty

  • Native Instruments Kore 2

PC minimum system requirements

  • Windows XP SP2 32-bit or Windows Vista/7 32-bit/64-bit
  • Intel Pentium III 1 GHz or equivalent processor
  • 512 MB of RAM
  • 70 MB of free hard drive space
  • 1024 x 768 screen resolution
  • Windows-compatible audio interface
  • Windows-compatible MIDI interface/keyboard

PC compatibility

  • VST, RTAS, and AAX Native 32-bit/64-bit plug-in hosts
  • ASIO, WDM, DirectSound audio drivers

Q: Can I use this AAS Player Sound Bank without Ultra Analog?
A: Yes! While these presets were designed for Ultra Analog, they also come with the AAS Player, which is a free plug-in instrument for VST, RTAS, and Audio Units.

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