Once again, AAS raises the bar in the recreation of the classic electric pianos. Once you get your hands on Lounge Lizard, that elusive electric piano sound becomes a vivid reality.
Using AAS's award winning physical modeling technology, they've come up with refinements that take one of the most impressive and unanimously acclaimed software to another level.
Famous players all had their own signature sound. This was achieved by tedious manual adjustments of forks, hammers and pickups. Whether you are looking to emulate a particular sound or simply find your own, you have direct access to all piano components.
Control the attack with the hammer. Adjust the force of the impact, the stiffness of the hammer and the noise it makes. Modulate these across the whole keyboard range or depending on the MIDI velocity.
A sweet sound is produced when the hammer hits the fork. Control the tone and its envelope by selecting material and natural decay of the tone and tine bars forming the fork.
Like in an electric guitar, a pickup near the fork captures its vibration. Adjust the pickup position and control distortion. Get a warm smooth tone or make your piano growl or bark.
Control how dampers are raised from or applied on the fork and make the attack and release of a note clean or noisy.
Adjust the tremolo to perfection. Use a triangle shape for a smooth effect or a soft square wave to obtain a chopped effect typical of suitcase pianos.
Other Key Features of Lounge Lizard EP-4:
Presets and Effects
Lounge Lizard comes with an extensive preset library that is simply inspiring, giving you access to the Rhodes™ and Wurlitzer™ sounds popularized by musical legends like Chick Corea, Herbie Hancock, Stevie Wonder, and George Duke. There is a choice of pure and true tones as well as a selection of processed ones courtesy of the high-end effects section.
The effects section includes the classic tremolo, chorus, wah, and phaser effects as well as EQ, delay and reverb. These effects are specially designed for the electric piano, making it very easy to create your own distinctive custom tones.
EP Character and Beyond
The original Rhodes™ pianos provided timbre and volume adjustments by letting you position the tines in relation to the pickups. These adjustments were at the heart of the electric piano's character as they controlled the harmonic content, attack, and decay of the sound, offering unique tone to each player. But there was a price for this flexibility. Several painstaking hours with a screwdriver and incredible patience was needed to change the sound of an electric piano.
Suffer no more! With Lounge Lizard, the preset library provides a selection of thoroughly chosen Tine/Pickup configurations. You also have the ability to make those adjustments in real time via two simple controls: Distance and Symmetry.
It doesn't end there. Because controls are provided for the various electromechanical components, Lounge Lizard can be pushed far beyond hardware equivalents, opening up a completely new realm of sonic possibilities!
What's more, since the interaction between the tine and pickup is quite unique, its effect can't be obtained with the filtering provided by samplers. This limits sampled solutions to one or two fixed configurations and brings physical modeling to the forefront of the electric piano recreation.
Modeling an Electric Piano: How it works
The electric piano was invented by Harold Rhodes (1910-2000) during the forties when he was in the army. The first instruments he built were made of aircraft pieces and were intended to entertain army servicemen. It became a very popular instrument in jazz and rock, and has enjoyed a resurgence in recent years through it's extensive use by the world's top hip hop, R&B, and house producers.
The mechanism of the electric piano is, in fact, quite simple. A note played on the keyboard activates a hammer that hits a fork. The sound of that fork is then amplified by a magnetic coil pickup and sent to the output, very much like an electric guitar.
*The minimum system requirements mentioned above are for standalone usage. For plug-in usage, please refer to your DAW software requirements (Sonar, Pro Tools, Cubase, Live, Digital Performer, Logic Pro, etc.)