SYNCHRON-ized Solo Voices

This Collection brings the performances of the VI Series Vienna Solo Voices to the powerful capabilities of the Vienna Synchron Player. The entire sample database was re-edited, updated and optimized for Vienna’s proprietary sample player to achieve improvements in terms of authenticity, usability and flexibility.

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Four female soloists (coloratura soprano, soprano, mezzo soprano, alto) and three male soloists (tenor, baritone, bass) were recorded in Vienna’s second studio, the Silent Stage, a recording facility with a tight, controlled ambience specifically designed and built for recording samples. The short ambience of this room allows for placement of the singers in any virtual acoustic environment.

Using the Synchron Player’s reverberation and placement presets you can put each vocalist at his or her perfect spot in the large hall of Vienna’s own scoring stage, Synchron Stage Vienna, with options such as close, classic, and distant. This way they perfectly blend with any other product of the Synchron Series, resulting in a production-ready sound “out of the box”.

But these soloists are much more flexible. By turning off the internal convolution and algorithmic reverb of the Vienna Synchron Player the singers can be placed in any virtual acoustic environment, from dry closets to cathedrals, from the authentic natural rooms provided by Vienna MIR Pro 3D to artificial reverb and delay effects. You’ll find a variety of FX presets in the Mixer Preset menu of the Synchron Player.

Vienna’s team of sound editors recreated a perfectly balanced and pristine-sounding sample database that lives up to the high standards of the SYNCHRON-ized libraries. The meticulously balanced volume levels of the recordings guarantee seamless note transitions when moving from one articulation to the next. Velocity crossfading has been further optimized for extra-smooth volume changes. All legato transitions have been improved, and the new release sample technology greatly increases the flexibility and usability of many articulations. Notes such as crescendos and diminuendos can be played at various lengths and always trigger the correct release sounds. This way, for instance, you can use the first part of crescendo notes as very soft portato articulations, or the first part of diminuendo notes as an espressivo technique with a slight decrescendo that sounds very musical and natural.

ARTICULATION GROUP ARTICULATIONS
Solo Voices

4 female and 3 male solo voices: coloratura soprano, soprano, mezzo-soprano, alto, tenor, baritone, bass
Articulations on "aa", "pa", "ra", "sa", "ta" and "uu", "pu", "ru", "su", "tu"
Staccato
Long notes normal and with marcato attack on vowels and consonants
Legato normal and with marcato attack option
Performance trills
Sforzato
Crescendo 2/4 sec.with marcato attack option
Diminuendo, 2/4 sec.
Octave glissandos up and down
Breathing noises

Learn more about Vienna's transition to iLok: HERE

Minimum System Requirements

  • Windows 10 (latest update, 64-bit), Intel Core i5 or AMD Athlon 64 X2
  • macOS 10.14 Mojave (latest update), Intel Core i5
  • SSD (M2, SATA 6 or USB3/3.1, UASP Support - HFS+, APFS or NTFS formatted) for the sample content
  • 16 GB RAM
  • iLok Account and iLok License Manager for license activation on a physical iLok 2/iLok 3 key or in an iLok Cloud Session (the iLok Cloud requires a constant internet connection!)

Recommended

  • Windows 11 (latest update), Intel Core i7/i9/Xeon
  • macOS 13 Ventura (or higher), Intel Core i7/i9/Xeon/M1/M2
  • 32 GB RAM
  • AU/VST/VST3/AAX Native compatible host
  • 88 key master keyboard

Hard Drive Space Requirements

  •  30.7 GB